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During the Renaissance an increasing number of patrons had their likeness committed to posterity in paint. For this reason there exists a great number of Renaissance portraits for whom the name of the sitter is unknown. Wealthy private patrons commissioned artworks as decoration for their homes, of increasingly secular subject matter.
In the late 16th century, as the Renaissance era closes, an extremely manneristic style develops. In secular music, especially in the madrigal, there was a trend towards complexity and even extreme chromaticism (as exemplified in madrigals of Luzzaschi, Marenzio, and Gesualdo). The term mannerism derives from art history.
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
Italian Renaissance artists were among the first to paint secular scenes, breaking away from the purely religious art of medieval painters. Northern Renaissance artists initially remained focused on religious subjects, such as the contemporary religious upheaval portrayed by Albrecht Dürer .
An upper-class figure would control hundreds of times more income than a servant or labourer. Some historians see this unequal distribution of wealth as important to the Renaissance, as art patronage relies on the very wealthy. [44] The Renaissance was not a period of great social or economic change, only of cultural and ideological development.
Secularity, also the secular or secularness (from Latin saeculum, ' worldly ' or ' of a generation '), is the state of being unrelated or neutral in regards to religion. The origins of secularity can be traced to the Bible itself. The concept was fleshed out through Christian history into the modern era. [1] In the Middle Ages, there were even ...
Bergamo and Brescia saw in the 15th century a significance in the Italian art scene that can be described as "satellite" compared to centers such as Milan and Venice.It was due to Francesco Sforza that Filarete worked in Bergamo (in the cathedral, c. 1455), and even a masterpiece like Giovanni Antonio Amadeo's Colleoni Chapel (1470-1476) is unthinkable outside the context of Sforza commissions ...
It can be seen by many of the organizations (NGOs) for secularism that they prefer to define secularism as the common ground for all life stance groups, religious or atheistic, to thrive in a society that honours freedom of speech and conscience. An example of that is the National Secular Society in the UK. This is a common understanding of ...