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This category contains Blackletter typefaces, including the varieties of textura, fraktur, rotunda, and schwabacher. Pages in category "Blackletter typefaces" The following 9 pages are in this category, out of 9 total.
Various German language blackletter typefaces English blackletter typefaces highlighting differences between select characters Modern interpretation of blackletter script in the form of the font "Old English" which includes several anachronistic glyphs, such as Arabic numerals, ampersand (instead of Tironian et) and several punctuation marks ...
These fonts were designed in the early 20th century, mainly the 1930s, as grotesque versions of blackletter typefaces. The Nazis heavily used these fonts themselves, although the shift remained controversial; in fact, the press was at times scolded for its frequent use of "Roman characters" under "Jewish influence" and German émigrés were ...
Bitstream Cyberbit (free for non-commercial use. 29,934 glyphs in v2.0-beta.) Bitstream Vera (free/open source, limited coverage with 300 glyphs, DejaVu fonts extend Bitstream Vera with thousands of glyphs) Charis SIL (free/open source, over 4,600 glyphs in v4.114) Code2000 (shareware Unicode font; supports the entire BMP. 63,888 glyphs in v1 ...
Lucida (pronunciation: / ˈ l uː s ɪ d ə / [2]) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. [3] [4] The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand).
Breitkopf Fraktur is a Blackletter font designed by typographer and German music publisher Johann Gottlob Immanuel Breitkopf (1719–1794). [1] Breitkopf was the son of the publisher Bernhard Christoph Breitkopf, founder of the publishing house Breitkopf & Härtel, a firm that continues to the present day.
Blackletter typefaces (9 P) Pages in category "Blackletter" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes. ...
Blackletter typefaces. Similar to Rotunda, the rounded Schwabacher types were nearer to handwriting than the former Textualis style, though it also includes sharp edges. The lower-case g and upper-case H have particularly distinctive forms. In the context of German language texts, Schwabacher appeared vibrant and popular.