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Greatest Hits is a compilation album by the progressive rock band the Moody Blues, released in 1989.The band recorded new versions of "Isn't Life Strange" and "Question" with orchestration by the London Symphony Orchestra. [2]
The Very Best of The Blues Brothers is a 1995 greatest hits album by The Blues Brothers. It is one of several compilations of the band's recordings, following Best of The Blues Brothers (1981) and Dancin' wid da Blues Brothers (1983).
Along with tracks from the first three albums, Briefcase Full of Blues, The Blues Brothers: Music from the Soundtrack and Made in America, it includes unreleased live versions of "Everybody Needs Somebody to Love", "Rubber Biscuit", and a new song, "Expressway to Your Heart". The album was remixed by Steve Jordan and Donald “Duck” Dunn.
Voices in the Sky: The Best of The Moody Blues is a greatest hits compilation for The Moody Blues, released in 1984. At least 3 different versions of the album were released in various countries. The United Kingdom edition had 12 songs, while the United States release had only 10 in a different order.
The following is the discography of the English symphonic and progressive rock band the Moody Blues.In the United States, 14 of the group's albums reached Gold or Platinum stutus, according to the Recording Industry Association of America.
The Best of The Moody Blues is a compilation album by the British progressive rock band The Moody Blues, released on 23 September 1996. The album marked the first time the band's only UK No. 1 single, 1964's " Go Now ", was included on an official Moody Blues compilation album.
The Best of Muddy Waters is a greatest hits album by Muddy Waters released by Chess Records in April 1958. The twelve songs were originally issued as singles between 1948 and 1954 and most appeared in Billboard magazine's top 10 Rhythm & Blues Records charts. The album is the first by Waters and the third by Chess on the long playing (or LP ...
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.