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A paraphrase can be introduced with verbum dicendi—a declaratory expression to signal the transition to the paraphrase. For example, in "The author states 'The signal was red,' that is, the train was not allowed to proceed," the that is signals the paraphrase that follows. A paraphrase does not need to accompany a direct quotation. [20]
The Heresy of Paraphrase" is the name of the paradox where it is impossible to paraphrase a poem because paraphrasing a poem removes its form, which is an integral part of its meaning. Its name comes from a chapter by the same name in Cleanth Brooks 's book The Well-Wrought Urn .
The eleventh, famous chapter, entitled "The Heresy of Paraphrase," is a polemic against the use of paraphrase in describing and criticizing a poem. This chapter is followed by two appendices: "Criticism, History, and Critical Relativism" and "The Problem of Belief."
Brooks took this notion of paraphrase and developed it further in his classic The Well Wrought Urn. The book is a polemic against the tendency for critics to reduce a poem to a single narrative or didactic message. He describes summative, reductionist reading of poetry with a phrase still popular today: "The Heresy of Paraphrase" (Leitch 2001 ...
Paraphrase may apply to music as well as to writing. It was commonplace for Baroque, Classical and Romantic composers to create variations on each other's work ...
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
As the poem ends, the trance caused by the nightingale is broken and the narrator is left wondering if it was a real vision or just a dream. [24] The poem's reliance on the process of sleeping is common to Keats's poems, and "Ode to a Nightingale" shares many of the same themes as Keats' Sleep and Poetry and Eve of St. Agnes. This further ...
In that poem, the first "Rose" is the name of a person. Stein later used variations on the sentence in other writings, and the shortened form " A rose is a rose is a rose " is among her most famous quotations, often interpreted as meaning [ 1 ] "things are what they are", a statement of the law of identity , "A is A."