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"But that music is a language by whose means messages are elaborated, that such messages can be understood by the many but sent out only by the few, and that it alone among all language unites the contradictory character of being at once intelligible and untranslatable—these facts make the creator of music a being like the gods and make music itself the supreme mystery of human knowledge."
Musicology (from Greek μουσική mousikē 'music' and -λογια -logia, 'domain of study') is the scholarly study of music. Musicology research combines and intersects with many fields, including psychology, sociology, acoustics, neurology, natural sciences, formal sciences and computer science. Musicology is traditionally divided into ...
Music criticism. The Oxford Companion to Music defines music criticism as "the intellectual activity of formulating judgments on the value and degree of excellence of individual works of music, or whole groups or genres". [1] In this sense, it is a branch of musical aesthetics. With the concurrent expansion of interest in music and information ...
According to music theorist Ian Bent, music analysis "is the means of answering directly the question 'How does it work?'". [2] The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis.
In modern academia, music theory is a subfield of musicology, the wider study of musical cultures and history. Music theory is often concerned with abstract musical aspects such as tuning and tonal systems, scales, consonance and dissonance, and rhythmic relationships. In addition, there is also a body of theory concerning practical aspects ...
Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. [1][2][3] Music is generally agreed to be a cultural universal that is present in all human societies. [4] Definitions of music vary widely in substance and approach. [5]
Undeterred by such comments in 1789, a year after C.P.E. Bach's death, Burney echoed Scheibe's earlier comparison of Bach and Handel when he wrote in his General History of Music: [60] The very terms of Canon and Fugue imply restraint and labour. Handel was perhaps the only great Fughuist, exempt from pedantry.
The U.S Army Band performs a Christmas concert in 2010. Christmas music comprises a variety of genres of music regularly performed or heard around the Christmas season.Music associated with Christmas may be purely instrumental, or, in the case of carols, may employ lyrics about the nativity of Jesus Christ, traditions such as gift-giving and merrymaking, cultural figures such as Santa Claus ...