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The movie is the first feature ever filmed entirely from one fixed camera angle, [2] [3] and received positive reviews from critics. The film premiered on August 19, 2023 in San Jose, California at the Cinequest Film & Creativity Festival , where it won the Jury Prize for Best Feature: Thriller, Fantasy, Horror, or Sci-Fi. [ 4 ]
Like. Share. Follow. is a 2017 American psychological horror film written and directed by Glenn Gers. It stars Keiynan Lonsdale and Ema Horvath. [1] The film is a co-production between Blumhouse Productions, Divide/Conquer and Gunpowder & Sky. The film had its world premiere at the Screamfest Horror Film Festival on October 18, 2017. [2]
The jump scares don't land, the fears themselves are all a bit silly and it feels like Taylor is holding back for the majority of the run time." [ 13 ] Common Sense Media 's Jeffrey M. Anderson gave the film 2/5 stars, writing, "Despite a diverse cast and a nifty location, this soggy, inert horror movie unfolds with a most unimaginative ...
Share is a 2019 coming-of-age [2] drama film, written and directed by Pippa Bianco, based upon Bianco's short film of the same name. It stars Rhianne Barreto, Charlie Plummer, Poorna Jagannathan, J. C. Mackenzie, Nicholas Galitzine, and Lovie Simone. It had its world premiere at the Sundance Film Festival on January 25, 2019.
Theodore Conroy is a retired banker married Susanna, a young actress, and they have a daughter named Ella. The family books a vacation in Wales, but there is something strange about the house—time passes unusually fast, and everybody experiences nightmares while staying there.
The full version of Fear and Desire. Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: . There is a war in this forest. Not a war that has been fought, nor one that will be, but any war.
The Fear is a 1995 American psychological horror film directed by Vincent Robert and starring Vince Edwards in his final film role, [2] along with Eddie Bowz, Darin Heames, Leland Hayward, and Ann Turkel.
All those creaking shutters, flickering candles, wavering shadows and pianos playing in empty rooms still yield a tiny frisson. The director has gone all out to make Taste of Fear work on its own level – and the result is no less silly than usual, but a good deal more watchable" [ 12 ]