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The Nihon Bijutsu Tōken Hozon Kyōkai (日本美術刀剣保存協会, 'The Society for Preservation of Japanese Art Swords', NBTHK) is a public interest incorporated foundation established in February 1948 to preserve and promote Japanese swords that have artistic value. They run a Japanese Sword Museum in Tokyo and have a secretariat in the ...
The Oakeshott typology is a way to define and catalogue the medieval sword based on physical form. It categorises the swords of the European Middle Ages (roughly 11th to 16th centuries [1]) into 13 main types, labelled X through XXII. The historian and illustrator Ewart Oakeshott introduced it in his 1960 treatise The Archaeology of Weapons ...
This was due to the economic development and the increased value of swords as arts and crafts as the Sengoku period ended and the peaceful Edo period began. Japanese swords are still commonly seen today; antique and modern forged swords can be found and purchased. Modern, authentic Japanese swords (nihontō) are made by a few hundred swordsmiths.
Japanese swordsmithing. Japanese swordsmithing is the labour-intensive bladesmithing process developed in Japan beginning in the sixth century for forging traditionally made bladed weapons (nihonto) [1][2] including katana, wakizashi, tantō, yari, naginata, nagamaki, tachi, nodachi, ōdachi, kodachi, and ya (arrow).
This sword appeared about the same time as the foil. However the foil was created for practicing fencing at court, while the colichemarde was intended for dueling. The widespread misapprehension that the colichemarde quickly ceased to be produced after 1720 dates to the opinion given by Sir Richard Burton in his Book of the Sword (1884). [4]
Ronald Ewart Oakeshott (25 May 1916 – 30 September 2002) was a British illustrator, collector, and amateur historian who wrote prodigiously on medieval arms and armour. He was a Fellow of the Society of Antiquaries, a Founder Member of the Arms and Armour Society, and the Founder of the Oakeshott Institute. He created a classification system ...