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F-sharp minor is sometimes used as the parallel minor of G-flat major, especially since G-flat major's real parallel minor, G-flat minor, would have nine flats including two double-flats. For example, in the middle section of his seventh Humoresque in G-flat major , Antonín Dvořák switches from G-flat major to F-sharp minor for the middle ...
The white-note major and minor pentatonic scales. Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees.
Aeolian mode. The Aeolian mode is a musical mode or, in modern usage, a diatonic scale also called the natural minor scale. On the piano, using only the white keys, it is the scale that starts with A and continues to the next A only striking white keys. Its ascending interval form consists of a key note, whole step, half step, whole step, whole ...
F♯ (musical note) F♯ (F-sharp; also known as fa dièse or fi) is the seventh semitone of the solfège. It lies a chromatic semitone above F and a diatonic semitone below G, thus being enharmonic to sol bémol or G ♭ (G-flat) in 12 equal temperament. However, in other temperaments, such as quarter-comma meantone, it is not the same as G ♭.
A musical scale is a series of pitches in a distinct order. The concept of "mode" in Western music theory has three successive stages: in Gregorian chant theory, in Renaissance polyphonic theory, and in tonal harmonic music of the common practice period. In all three contexts, "mode" incorporates the idea of the diatonic scale, but differs from ...
Piano Concerto No. 1 (Rachmaninoff) Piano Sonata in F-sharp minor (Stravinsky) Piano Sonata in F-sharp minor, D 571 (Schubert) Piano Sonata No. 1 (Enescu) Piano Sonata No. 1 (Schumann) Piano Sonata No. 2 (Brahms) Piano Sonata No. 3 (Scriabin) Piano Sonata No. 5 (Hummel) Piano Trio No. 40 (Haydn) Polonaise in F-sharp minor, Op. 44 (Chopin)