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Two of the works in Munich, the Last Supper and the Crucifixion. The Life of Christ is a series of seven paintings in tempera and gold on panel, attributed to Giotto and dating to around 1320–1325.
Giotto's work thus falls in the period from 25 March 1303 to 25 March 1305. Model of the interior of the chapel, towards entrance Towards the apse and altar. Giotto, who was born around 1267, was 36–38 years old when he worked at Enrico Scrovegni's chapel.
Lamentation (The Mourning of Christ) is a fresco painted c.1305 by the Italian artist Giotto as part of his cycle of the Life of Christ on the interior walls of the Scrovegni Chapel in Padua, Italy. [1] The Scrovegni Chapel was built as a private chapel next to the Eremitani Monastery by the wealthy Scrovegni family and consecrated in 1305.
The table below shows whether a scene was the subject of a feast-day in the Western church, and gives the contents of the cycles (described above and below) by: Giotto in the Scrovegni Chapel, a typical Book of hours, [5] the Hours of Catherine of Cleves, [6] the cycle of the "Master of the Louvre Life of the Virgin", [7] Ghirlandajo's Tornabuoni Chapel cycle, and the print cycles of Israhel ...
Giotto's inspiration for The Life of the Virgin cycle was probably taken from The Golden Legend by Jacobus de Voragine and The Life of Christ draws upon the Meditations on the Life of Christ as well as the Bible. The frescoes are more than mere illustrations of familiar texts, however, and scholars have found numerous sources for Giotto's ...
Giotto di Bondone, Legend of St Joachim, Meeting at the Golden Gate, 1305, in the Scrovegni Chapel, is an early Western depiction of the scene.. Joachim and Anne Meeting at the Golden Gate is a narrative of the parents of the Virgin Mary, Joachim and Anne meeting at the Golden Gate of Jerusalem, upon learning that she will bear a child.
Lamentation by Giotto, 1305. The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified, his body was removed from the cross and his friends mourned over his body. This event has been depicted by many different artists.
It was followed by Giotto's Proto-Renaissance scheme at Padua and many others ranging from Benozzo Gozzoli's Magi Chapel for the Medici to Michelangelo's supreme accomplishment for Pope Julius II at the Sistine Chapel. Giotto painted the large, free-standing Scrovegni Chapel in Padua with the Life of the Virgin and the Life of Christ. Breaking ...