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Josephine Augusta Trott (December 24, 1874 - March 2, 1950) was an American author, composer, and music educator who sometimes wrote under the pseudonym Colin Shepherd. [1] Her violin pedagogy books are still in use today. [2] Trott was born in Wilmington, Illinois, to Dr. Stenson E. and Augusta J. Trott. [3]
Sonata No. 1 for violin solo, Op. 33 (1925) Sonata No. 2 for violin solo, Op. 115 (1948) Sonata No. 1 in F-sharp minor for violin and piano, Op. 3 (1919) Sonata No. 2 for violin and piano, Op. 99 (1945) Sonatine for B♭ bass clarinet and piano (as Thornton Winsloe) String quartet No. 1, Op. 6 (1921) String quartet No. 2, Op. 8 (1921)
The Art of Violin Playing Books 1 & 2, Carl Flesch. Edited by Eric Rosenblith. Carl Fischer Music ISBN 0-8258-2822-8 and ISBN 0-8258-6590-5; The Armenian Bowing Art, Anahit Tsitsikian,Published by “Edit Print” print house Yerevan, 2004.(in Russian) The Art of Violin Playing, Daniel Melsa, Foulsham & Co. Ltd.
[2] [3] He was the grandson of minor Scottish poet and songwriter, Adam Crawford. [4] Honeyman returned to Britain with his mother and three siblings in 1849. [5] He was a violinist and orchestra leader who, under his real name, published violin instructional books such as How to Play the Violin and The Secrets of Violin Playing. His daughter ...
Eta Cohen (1916 – 20 November 2012) was a professional English author, teacher and violinist.. Cohen was born in Sunderland, to Jewish immigrants from Lithuania.She left school at age 16 and began to teach music in local private schools in Sunderland and Newcastle.
Abram Ilich Yampolsky (Russian: Абрам Ильич Ямпольский; 1890–1956) was a Soviet violin teacher who nurtured many Soviet virtuosos during his tenure at the Moscow Conservatory. He graduated in Saint Petersburg in 1913 in the class of Sergej Korguyev, a pupil and assistant of Leopold Auer , and was to be one of the founders ...
Technically, the compositions are not in Shankarabharana proper, being based on simple melodies and devoid of the ornamentation (gamaka) that is characteristic of Carnatic music. [2] On the other hand, the lyrics ( sahitya ) of these compositions are entirely Indian and consistent with the rest of the stotra -literature, or other songs ...
Béla Bartók did not intend this work to be played in performances, but rather to be useful as a work for young students. The work was commissioned by Erich Doflein, a German violinist and teacher, who asked Bartók if he would arrange some of the pieces from the For Children series. [1]