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In music theory, a tetrachord (Greek: τετράχορδoν; Latin: tetrachordum) is a series of four notes separated by three intervals.In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency proportion (approx. 498 cents)—but in modern use it means any four-note segment of a scale or tone row, not necessarily related to a particular tuning ...
Tetrachord Note order Step to next note (Number of steps) Note name starting from Buselik [1] Buselik pentachord Buselik tetrachord (starting from Buselik) 1 T (9) Buselik 2 B (4) Hicaz 3 T (9) Neva 4 T (9) Hüseynî - 5 - Mahur
Tetrachord Note order Step to next note (Number of steps) Note name starting from Rast [1] Rast pentachord: Rast tetrachord: 1 T (9) Rast 2 K (8) Dügâh 3 S (5)
In traditional Arabic music theory, a jins (Arabic: جنس, pl. أجناس, ajnās) is a set of three, four, or five stepwise pitches used to build an Arabic maqam, or melodic mode. They correspond to the English terms trichord, tetrachord, and pentachord. A maqam is made up of two or more ajnas.
Tetrachord Note order Step to next note (Number of steps) Note name starting from Çârgâh [Note 1] Çârgâh pentachord Çârgâh tetrachord (starting from Çârgâh) 1 T (9) Çârgâh 2 T (9) Neva 3 B (4) Hüseynî 4 T (9) Acem - 5 - Gerdaniye
Tetrachord Note order Step to next note (Number of steps) Note name starting from Rast [1] Nikriz pentachord - 1 T (9) Rast Hicaz tetrachord (starting from Dügâh) 2
Tetrachord Note order Step to next note (Number of steps) Note name starting from Dügâh [1] Hicaz pentachord Hicaz tetrachord 1 S (5) Dügâh 2 A (12) Dik Kürdî 3 S (5) Nim Hicâz 4 T (9) (Only for pentachord) Neva - 5 - Hüseynî
Kürdî tetrachord: Buselik pentachord: Kürdî tetrachord: This is the makam that the pitch class set is named after. Buselik: Buselik pentachord: Kürdî tetrachord: This scale exists within Kürdî if the Higher Çeşni and Higher Extension are put on top of each other.