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The sisiutl is a legendary creature found in many cultures of the Indigenous peoples of the Pacific Northwest Coast, notably the Kwakwakaʼwakw. [1] Typically, it is depicted as a double-headed sea serpent. Sometimes, the symbol features an additional central face of a supernatural being.
Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
The maritime fur trade, a ship-based fur trade system, focused largely on acquiring furs of sea otters and other animals from the Indigenous peoples of the Pacific Northwest Coast and Alaska Natives. Entrepreneurs also exploited fur-bearing skins from the wider Pacific (from, for example, the Juan Fernández fur seal) and from the Southern Ocean.
Hamatsa: The Enigma of Cannibalism on the Pacific Northwest Coast by Jim McDowell; Chiefly Feasts: The Enduring Kwakiutl Potlatch by Aldona Jonaitis; Aldona Jonaitis (1998). From the Land of the Totem Poles. University of Washington Press. ISBN 0-295-97022-7. The Kwakiutl Indians of British Columbia by Ronald Rohner and Evelyn Bettauer
The Pioneer Square totem pole, also referred to as the Seattle totem pole and historically as the Chief-of-All-Women pole, is a Tlingit totem pole located in Pioneer Square in downtown Seattle, Washington. The original totem pole was carved in 1790 and raised in the Tlingit village on Tongass Island, Alaska to honor the Tlingit woman Chief-of ...
While ill with pneumonia and unable to fish, he began to carve miniature totem poles. His interest in art was piqued, and he enrolled in the Institute of American Indian Arts in Santa Fe, New Mexico. Since then, Jackson's work has included large totem poles, canoes, carved doors, wood panel clan crests, masks, and jewelry.
They are similar to the 'Watsa of the Tsimshian people, Nat'ina of the Dena'ina Native Alaskans of South Central Alaska, and the Urayuli of the Yup'ik in Western Alaska. [citation needed]