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SunGard was ranked at 480th in the U.S. Fortune 500 list in the year 2012. [1] In August 2005, the company was acquired by seven private equity firms for $11.3 billion and de-listed from the NYSE. [2] SunGard was one of the title sponsors of the Tinkoff pro cycling team until the end of 2011. [3]
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The Window presents a frightening vision of helplessness, vividly conveying childish frustration at being dismissed or ignored by one's parents. Director and onetime cameraman Tetzlaff adroitly injects a maximum of suspense into the film, enabling the audience to identify with Driscoll's predicament and to view his parents as evil, almost as ...
With a legacy of more than 100 years, the Better Business Bureau (BBB) is the go-to watchdog for evaluating businesses and charities. The nonprofit organization maintains a massive database of ...
The film thickness is selected for level of protection desired and the dimensions of the glass pane. Manufacturers recommend 100 micrometer film (2 ply) for glass up to 3 mm (1/8 in) and 175 micrometer film for glass over 6 mm (1/4 in). These films can be applied for security applications, where a delay of forced entry is desired.
Vincent Canby (July 27, 1924 – October 15, 2000) was an American film and theatre critic who was the chief film critic for The New York Times from 1969 until the early 1990s, then its chief theatre critic from 1994 until his death in 2000. He reviewed more than one thousand films during his tenure there.
Sungard Availability Services (Sungard AS) was a provider of IT production and recovery services. In 2021 it had annual revenues of approximately $773 million [ 2 ] and offices in 12 countries. [ 3 ] The company used its experience in recovery to design, build and run production environments that are resilient and available.
ABC Film Review was a magazine which began regular releases in 1951 after a 1950 trial. The name was kept until April 1972, by May 1972 it was shortened to simply Film Review. The final issue (#701) came out December 2008. In the 1990s, it advertised itself as "Britain's longest-running film magazine" on the cover.