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VAC is the audio equivalent of a MIDI loopback device such as MultiMid or Hubi, and can be used instead of "Stereo Mix" or "What U Hear" features of audio adapters. [1] [2] If more than one application is sending audio through an output virtual cable, VAC is able to mix all of the streams together or create separate corresponding virtual input ...
Open Nylon Guitar 3 Nylon Guitar 2: 26 0 Steel-String Guitar: 1 12-String Guitar: 2 Mandolin: 3 Steel + Body 27 0 Jazz Guitar: 1 Hawaiian Guitar: 28 0 Clean Electric Guitar: 1 Chorus Guitar: 2 Mid Tone Guitar 29 0 Muted Electric Guitar: 1 Funk Guitar 2 Funk Guitar 2 3 Jazz Man: 30 0 Overdriven Guitar: 1 Guitar Pinch 31 0 Distortion Guitar: 1 ...
General MIDI logo from the MIDI Manufacturers Association. General MIDI (also known as GM or GM 1) is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Committee (JMSC) and first published in 1991. The ...
MIDI Tuning Standard (MTS) is a specification of precise musical pitch agreed to by the MIDI Manufacturers Association in the MIDI protocol. MTS allows for both a bulk tuning dump message, giving a tuning for each of 128 notes , and a tuning message for individual notes as they are played.
The Wave Blaster was an add-on MIDI-synthesizer for Creative Sound Blaster 16 and Sound Blaster AWE32 family of PC soundcards. It was a sample-based synthesis General MIDI compliant synthesizer. For General MIDI scores, the Wave Blaster's wavetable-engine produced more realistic instrumental music than the SB16's onboard Yamaha-OPL3.
The SynthAxe. The SynthAxe is a fretted, guitar-like MIDI controller, created by Bill Aitken, Mike Dixon, and Tony Sedivy and manufactured in England in 1985. It is a musical instrument that uses electronic synthesizers to produce sound and is controlled through the use of an arm resembling the neck of a guitar in form and in use.
MIDI's introduction coincided with the dawn of the personal computer era and the introduction of samplers and digital synthesizers. [26] The creative possibilities brought about by MIDI technology are credited for helping revive the music industry in the 1980s. [27] MIDI introduced capabilities that transformed the way many musicians work.
MIDI Machine Control, or MMC, a subset of the MIDI specification, provides specific commands for controlling recording equipment such as multi-track recorders. MMC messages can be sent along a standard MIDI cable for remote control of such functions as Play, Fast Forward, Rewind, Stop, Pause, and Record.