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Erasure poetry, or blackout poetry, is a form of found poetry or found object art created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. [1] The results can be allowed to stand in situ or they can be arranged into lines and/or stanzas .
A piece of blackout poetry, created by blocking out words from a piece of newsprint. Found poetry is a type of poetry created by taking words, phrases, and sometimes whole passages from other sources and reframing them (a literary equivalent of a collage [1]) by making changes in spacing and lines, or by adding or deleting text, thus imparting new meaning.
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Although conceptual poetry may have freely circulated in relation to some text-based Conceptual art works (during the heyday of the movement), "conceptual writing" was coined as an idea in 2003, while The UbuWeb Anthology of Conceptual Writing was created by Craig Dworkin and Kenneth Goldsmith (the on-line anthology [1] differs from the 2011 print anthology).
Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. [1] They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling. [2]
Pound was said to have coined the word from Greek roots in a 1918 review of the "Others" poetry anthology [2] — he defined the term as "the dance of the intellect among words." [ 1 ] Elsewhere he changes intellect to intelligence.
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A golden shovel is a poetic form in which the last word of each line forms a second, pre-existing poem (or section thereof), to which the poet is paying homage.. It was created by Terrance Hayes, whose poem "Golden Shovel" (from his 2010 collection Lighthead) [1] is based on Gwendolyn Brooks' "We Real Cool" (which begins with an epigraph that includes the phrase "Golden Shovel").