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Erasure poetry, or blackout poetry, is a form of found poetry or found object art created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. [1] The results can be allowed to stand in situ or they can be arranged into lines and/or stanzas .
Johnson's book-length poem RADI OS (Sand Dollar Press, 1977) is an early and influential example of erasure poetry. He wrote it by blacking out words in a copy of John Milton 's Paradise Lost . Johnson rewrote the first four books of Milton's poem in this way, producing a new text in which the few remaining words float in the white page space ...
A piece of blackout poetry, created by blocking out words from a piece of newsprint. Found poetry is a type of poetry created by taking words, phrases, and sometimes whole passages from other sources and reframing them (a literary equivalent of a collage [1]) by making changes in spacing and lines, or by adding or deleting text, thus imparting new meaning.
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We Real Cool" is a poem written in 1959 by poet Gwendolyn Brooks and published in her 1960 book The Bean Eaters, her third collection of poetry. The poem has been featured on broadsides, re-printed in literature textbooks and is widely studied in literature classes. It is cited as "one of the most celebrated examples of jazz poetry". [1] [2] [3]
"Not Waving but Drowning" is a poem by the British poet Stevie Smith.It was published in 1957, as part of a collection of the same title. [1] The most famous of Smith's poems, [2] it gives an account of a drowned man, whose distant movements in the water had been mistaken for waving. [3]
The poem was later included in the 1860 edition of Leaves of Grass [4] under the title "A Word Out of the Sea" (and occasionally erroneously referred to, even by Whitman himself, as "A Voice Out of the Sea"). [5] "Out of the Cradle Endlessly Rocking" is found in the title section, Sea-Drift. Several of Whitman's individuals poems, including ...
Bluets is a book by American author Maggie Nelson, published by Wave Books in 2009. The work hybridizes several prose and poetry styles as it documents Nelson's multifaceted experience with the color blue, and is often referred to as lyric essay or prose poetry. [1] [2] It was written between 2003 and 2006.