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[2] [3] The earliest attestation of a five-stringed guitar comes from the mid-sixteenth-century Spanish book Declaracion de Instrumentos Musicales by Juan Bermudo, published in 1555. [4] The first treatise published for the Baroque guitar was Guitarra Española de cinco ordenes (The Five-course Spanish Guitar), c. 1590, by Juan Carlos Amat. [5] [6]
An ornate guitar made by a Joakim Thielke (1641–1719) of Germany was altered in this way and became a success. From the mid-18th century through the early 19th century, the guitar evolved into a six-string instrument, phasing out courses by preference to single strings. These six-string guitars were still smaller than the modern classical guitar.
In Middle Ages (10th-16th centuries) was for indoor instrument made up of 4-12 small bells, hung from a bar and struck with hammers. [20] Beginning 12th century, may have had "large wooden key installed" to make playing easier and to help play bigger bells. [20] Depicted in small sets (4 to 5, 8 to 9). [21] Latin, western tradition from church
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The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so. [1]
Santiago de Murcia (c.1682 – c.1740, moved to Mexico, composed for Baroque guitar) Luys de Narváez (fl. 1526–49) Diego Pisador (1509/10 – after 1557) Lucas Ruiz de Ribayaz (born probably before 1650, composed for Baroque guitar) Gaspar Sanz (mid-17th century–early 18th century, composed for Baroque guitar) Enríquez de Valderrábano ...
A popular instrument with court musicians, minstrels, and amateurs, the gittern is considered an ancestor of the modern guitar and other instruments like the mandore, bandurria and gallichon. [3] [4] From the early 16th century, a vihuela-shaped (flat-backed) guitarra began to appear in Spain, and later in France, existing alongside the gittern ...
Thomas Cutting (late 16th c. lutenist to Arbella Stuart, Christian IV and Henry Frederick, Prince of Wales) Alfonso Ferrabosco the younger (c. 1575–1628) Thomas Weelkes (1576–1623) John Maynard (c. 1577 – c. 1633) Richard Dering (c. 1580–1630) Michael East (c. 1580–1648) Thomas Ford (c. 1580–1648) Orlando Gibbons (1583–1625)