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The representation of women in Athenian tragedy was performed exclusively by men and it is likely (although the evidence is not conclusive) that it was performed solely for men as well. [1] The question whether or not women were admitted at theatre is widely contested and tends to polarise fronts. [ 2 ]
The economic power of Athenian women was legally constrained. Historians have traditionally considered that ancient Greek women, particularly in Classical Athens, lacked economic influence. [146] Athenian women were forbidden from entering a contract worth more than a medimnos of barley, enough to feed an average family for six days. [147]
Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
Aspasia (/ æ ˈ s p eɪ ʒ (i) ə,-z i ə,-ʃ ə /; [2] Ancient Greek: Ἀσπασία Greek:; c. 470 – after 428 BC [a]) was a metic woman in Classical Athens. Born in Miletus , she moved to Athens and began a relationship with the statesman Pericles , with whom she had a son named Pericles the Younger .
In Euripides's tragedy The Trojan Women, Helen is shunned by the women who survived the war and is to be taken back to Greece to face a death sentence. This version is contradicted by two of Euripides' other tragedies, Electra , which predates The Trojan Women, and Helen , as Helen is described as being in Egypt during the events of the Trojan ...
Women, as represented by Calonice, are sly hedonists in need of firm guidance and direction. In contrast, Lysistrata is portrayed to be an extraordinary woman with a large sense of individual and social responsibility. She has convened a meeting of women from various Greek city-states that are at war with each other. Soon after she confides in ...
Euripides (c. 480 – c. 406 BC) is one of the authors of classical Greece who took a particular interest in the condition of women within the Greek world. In a predominantly patriarchal society, he undertook, through his works, to explore and sometimes challenge the injustices faced by women and certain social or moral norms concerning them.
Women of Trachis or The Trachiniae (Ancient Greek: Τραχίνιαι, Trachiniai) c. 450–425 BC, is an Athenian tragedy by Sophocles. Women of Trachis is generally considered to be less developed than Sophocles' other works, and its dating has been a subject of disagreement among critics and scholars.