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The representation of women in Athenian tragedy was performed exclusively by men and it is likely (although the evidence is not conclusive) that it was performed solely for men as well. [1] The question whether or not women were admitted at theatre is widely contested and tends to polarise fronts. [ 2 ]
The economic power of Athenian women was legally constrained. Historians have traditionally considered that ancient Greek women, particularly in Classical Athens, lacked economic influence. [146] Athenian women were forbidden from entering a contract worth more than a medimnos of barley, enough to feed an average family for six days. [147]
This is in line with the Greek idea that even the gods could be polluted by death, and hence anything related to the sacred had to be kept away from death and dead bodies. Hence, many inscriptions in Greek temples banned those who had recent contact with dead bodies. [8] After the body was prepared, it was laid out for viewing on the second day.
Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
He would have wanted to express a purely domestic scene of Hegeso, a typical Athenian lady, dressing to go out or receive guests (not to leave the household permanently in death, as one may want to sentimentally interpret it). [10] Obviously, the stele showing a woman adorning herself stands in contrast to those depicting scenes of women's ...
Women, as represented by Calonice, are sly hedonists in need of firm guidance and direction. In contrast, Lysistrata is portrayed to be an extraordinary woman with a large sense of individual and social responsibility. She has convened a meeting of women from various Greek city-states that are at war with each other. Soon after she confides in ...
Women of Trachis or The Trachiniae (Ancient Greek: Τραχίνιαι, Trachiniai) c. 450–425 BC, is an Athenian tragedy by Sophocles. Women of Trachis is generally considered to be less developed than Sophocles' other works, and its dating has been a subject of disagreement among critics and scholars.
Andromache (Ancient Greek: Ἀνδρομάχη) is an Athenian tragedy by Euripides. It dramatises Andromache's life as a slave, years after the events of the Trojan War, and her conflict with her master's new wife, Hermione. The date of its first performance is unknown. Some scholars place the date sometime between 428 and 425 BC. [1]