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Rather than the poem representing the voice of the author, as in much lyric poetry, the speaker in Pound's persona poems is a made-up character with whom Pound did not completely identify. This allowed Pound to be satiric, even sarcastic, not only about the subject of the poems but about their speaker, although he sometimes appears to share the ...
Dramatic monologue is a type of poetry written in the form of a speech of an individual character. M.H. Abrams notes the following three features of the dramatic monologue as it applies to poetry: The single person, who is patently not the poet, utters the speech that makes up the whole of the poem, in a specific situation at a critical moment
"Because I could not stop for Death" is a lyrical poem by Emily Dickinson first published posthumously in Poems: Series 1 in 1890. Dickinson's work was never authorized to be published, so it is unknown whether "Because I could not stop for Death" was completed or "abandoned". [1] The speaker of Dickinson's poem meets personified Death. Death ...
At the poem's midpoint, the persona suddenly takes action, strangling Porphyria, propping her body against his, and boasting that afterward, her head lay on his shoulder. In line with the persona's suggested weakness and sickness, other scholars take the word " porphyria " literally, and suggest that the seductress embodies a disease, and that ...
The lyrical subject, lyrical speaker or lyrical I is the voice or person in charge of narrating the words of a poem or other lyrical work. [1] The lyrical subject is a conventional literary figure, historically associated with the author, although it is not necessarily the author who speaks for themselves in the subject.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Most children's poetry was still passed down through the oral tradition. However, some wealthy children were able to access handmade lesson books written in rhyme. [1] With the invention of the printing press, European literature exploded. [4] The earliest printed poetry for children is nearly all educational in nature.
This is most common in books with very large casts of characters, as well as children's books and speculative fiction. [citation needed] For example, the opening pages of Jon Krakauer's Into Thin Air contain a dramatis personae. Other examples include Worldwar: In the Balance by Harry Turtledove, and The Horus Heresy by various authors.