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This is a list of articles describing popular music acts that incorporate the accordion. The accordion appeared in popular music from the 1900s-1960s. This half century is often called the "Golden Age of the Accordion." Three players: Pietro Frosini, and the two brothers Count Guido Deiro and Pietro Deiro were major influences at this time.
"Dance, Dance, Dance" is a song by the American rock band the Beach Boys from their 1965 album Beach Boys Today!. Written by Brian Wilson , Carl Wilson , and Mike Love , it was first issued as a single in October 1964, backed with " The Warmth of the Sun ".
This is a list of articles describing traditional music styles that incorporate the accordion, alphabetized by assumed region of origin.. Note that immigration has affected many styles: e.g. for the South American styles of traditional music, German and Czech immigrants arrived with accordions (usually button boxes) and the new instruments were incorporated into the local traditional music.
[37] [38] [39] His refined poetic artistry gained respect for the free bass accordion as a serious concert instrument among prominent classical musicians and conductors of the early 20th century. [40] In addition, his Concerto For Free Bass Accordion was completed in 1966 and illustrates the vast orchestral potentialities of the instrument.
The concept behind Those Darn Accordions was initially conceived by keyboardist and accordionist Linda "Big Lou" Seekins in early 1989. [2] Seekins, who was active in several Bay Area bands including the polka punk band Polkacide, was called up by the owner of San Francisco's Paradise Lounge and offered an open performance slot if she could put together a band in time. [3]
The album notably features two cover songs, one of The Who ' s "Baba O'Riley" and the other of Rod Stewart ' s "Da Ya Think I'm Sexy?", the latter sung by TDA's then-81-year-old member Clyde Forsman. In a positive review, the Memphis Flyer called TDA "the true champions" of the alternative music scene's revival of the accordion, ahead of Brave ...
In the planned performance of the song, the members of the band were to be surrounded by 100 topless women playing accordions. [5] A demo of the song featured a Farfisa organ-based arrangement, as well as bluegrass banjos. Authors Steve Grantley and Alan Parker compared this early version to The Beatles' 1968 song, "Ob-La-Di, Ob-La-Da". [6]
The song tells a story of a prostitute who loves an accordion player (and the music he plays, namely a dance called java). Then he has to leave for the war. Then he has to leave for the war. She finds refuge in music, dreaming about how they will live together when he comes back.