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A humorous variant of Gödel's ontological proof is mentioned in Quentin Canterel's novel The Jolly Coroner. [26] [page needed] The proof is also mentioned in the TV series Hand of God. [specify] Jeffrey Kegler's 2007 novel The God Proof depicts the (fictional) rediscovery of Gödel's lost notebook about the ontological proof. [27]
Ward defended the utility of the five ways (for instance, on the fourth argument he states that all possible smells must pre-exist in the mind of God, but that God, being by his nature non-physical, does not himself stink) whilst pointing out that they only constitute a proof of God if one first begins with a proposition that the universe can ...
The Transcendental Argument for the existence of God (TAG) is an argument that attempts to prove the existence of God by appealing to the necessary conditions for the possibility of experience and knowledge. [1] A version was formulated by Immanuel Kant in his 1763 work The Only Possible Argument in Support of a Demonstration of the Existence ...
Moreover, one may define a statement form Proof(x,y), which for every two numbers x and y is provable if and only if x is the Gödel number of a proof of the statement S and y = G(S). Proof(x,y) is in fact an arithmetical relation, just as "x + y = 6" is, though a much more complicated one.
In Spinoza's Short Treatise on God, Man, and His Well-Being, he wrote a section titled "Treating of God and What Pertains to Him", in which he discusses God's existence and what God is. He starts off by saying: "whether there is a God, this, we say, can be proved". [27] His proof for God follows a similar structure as Descartes' ontological ...
A common application of decision theory to the belief in God is Pascal's wager, published by Blaise Pascal in his 1669 work Pensées.The application is a defense of Christianity stating that "If God does not exist, the Atheist loses little by believing in him and gains little by not believing.
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According to biographer Diane Apostolos-Cappadona, "He found proof for the existence and omnipotence of God in nature—light, color, botany, the human body—and in creativity." [6] Marco Rosci, author of "Hidden Leonardo Da Vinci" (1977) notes that for Leonardo "[m]an is the handiwork of a God who retains few links with traditional orthodoxy ...