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String instruments are capable of producing a variety of extended technique sounds. These alternative playing techniques have been used extensively since the 20th century. Particularly famous examples of string instrument extended technique can be found in the music of Krzysztof Penderecki (particularly his Threnody to the Victims of Hiroshima), Witold Lutosławski, George Crumb, and Helmut ...
This is a list of musical compositions that employ extended techniques to obtain unusual sounds or instrumental timbres. Hector Berlioz "Dream of Witches' Sabbath" from Symphonie Fantastique. The violins and violas play col legno, striking the wood of their bows on the strings (Berlioz 1899, 220–22). Heinrich Ignaz Franz von Biber; Battalia ...
Tasto solo is an Italian term used in music scores, usually on the continuo part, to indicate that a note or section should be played on its own, without harmony. [1] The term tasto is Italian for key (as Italian "tastiera" is for fingerboard), so the part is to be played solo by the fingerboard instrument (e.g. cello) and not by the harmony instrument (e.g. harpsichord) where a basso continuo ...
sul Lit. "on the", as in sul ponticello (on the bridge); sul tasto (on the fingerboard); sul E (on the E string), etc. sul E "on the E", indicating a passage is to be played on the E string of a violin. Also seen: sul A, sul D, sul G, sul C, indicating a passage to be played on one of the other strings of a string instrument. suono reale
Sul tasto. Sul ponticello ("on the bridge") refers to bowing closer to the bridge, while sul tasto ("on the fingerboard") calls for bowing nearer the end of the fingerboard. (While reading music, "tasto" can also mean to play with the bow in normal position when having been playing "ponticello") Ponticello calls for more bow weight and slower ...
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Sulla tastiera. Add languages. Add links. Article; Talk; English. ... Download QR code; Print/export Download as PDF; Printable version; In other projects
In particular, the direction sul tasto (Ital., also sulla tastiera, Fr. sur la touche, G. am Griffbrett) for bowed string instruments to play with the bow above the fingerboard. This reduces the prominence of upper harmonics , giving a more ethereal tone.