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By the end of the war, what remained of the Japanese Empire was wracked by shortages, inflation, and currency devaluation. Transport was nearly impossible, and industrial production in Japan's shattered cities ground to a halt. The destruction wrought by the war eventually brought the Japanese economy to a virtual standstill.
All of the top five cotton exporting nations are members. The International Cotton Advisory Committee (ICAC) along with private sector cotton organizations initiated the International Forum for Cotton Promotion (IFCP) in 2000. The IFCP serves as a forum and clearinghouse for the exchange of proven cotton promotion techniques.
The term is derived from the Japanese term "boroboro", meaning something tattered or repaired. [2] The term 'boro' typically refers to cotton, linen and hemp materials, mostly hand-woven by peasant farmers, that have been stitched or re-woven together to create an often many-layered material used for warm, practical clothing.
Photograph of a man and woman wearing traditional clothing, taken in Osaka, Japan. There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing (和服, wafuku), including the national dress of Japan, the kimono, and Western clothing (洋服, yōfuku) which encompasses all else not recognised as either national dress or the dress of another country.
A sarashi (晒し, "bleached cloth") is a kind of white cloth, usually cotton, or less commonly linen, [1] [2] [3] [4] [5] used to make various garments in Japan ...
The military complex—owned by the Yogyakarta Sultanate, but leased to the central government and managed by an agency of the central government—has been converted into a museum of the Indonesian independence struggle which was opened in 1992. It is located in front of Gedung Agung and near the Kraton Yogyakarta (Sultan's Palace). [1]
The maturity of individual cotton fiber is an essential aspect of cotton classing. Cotton maturity also contributes to the aesthetics of the product. For instance, it may affect appearance. Therefore, immature cotton that does not absorb dye is called ''dead fiber'', ''dead cotton'', and ''mote fibers.'' [7] [8] [3]
Meisen cloth, probably 1950s Meisen (銘 （ めい ） 仙 （ せん ）, lit. ' common silk stuff ') is a type of silk fabric traditionally produced in Japan ; it is durable, hard-faced, and somewhat stiff, with a slight sheen, : 79 and slubbiness is deliberately emphasised. Meisen was first produced in the late 19th century, and became widely popular during the 1920s and 30s (late- Taishō ...