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This template should be placed at the top of each article for William Shakespeare's individual sonnets (e.g. Sonnet 1). It provides navigation to the previous and next sonnets in the sequence, a place for an image from the 1609 Quarto with caption, and houses the full text of the sonnet with verse structure apparatus and citation.
A crown of sonnets or sonnet corona is a sequence of sonnets, usually addressed to one person, and/or concerned with a single theme.Each of the sonnets explores one aspect of the theme, and is linked to the preceding and succeeding sonnets by repeating the final line of the preceding sonnet as its first line.
Cleanth Brooks analysed the sonnet in these terms in The Well Wrought Urn: Studies in the Structure of Poetry. [2] In his essay, "The Language of Paradox", Brooks claims that the poem presents a paradox not in its specific use of images, but in the scenario that the narrator constructs. For instance, London is foregrounded as a natural ...
Paulus Melissus was the first to introduce the sonnet into German poetry. [118] But the man who did most to raise the sonnet to German consciousness was Martin Opitz, who in two works, Buch von der deutschen Poeterey (1624) and Acht Bücher Deutscher Poematum (1625), established the sonnet as a separate genre and its rules of composition. It ...
Some forms are strictly defined, with required line counts and rhyming patterns, such as the sonnet (mostly made of a 14-line poem with a defined rhyme scheme) or limerick (usually a 5-line free rhyme poem with an AABBA rhyme scheme). Such poems exhibit closed form, meaning they have strict rules regarding their structure and length. [7]
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The sonnet form follows the rules abstracted by August Wilhelm Schlegel from the sonnets of Petrarch. In the 20th century, several musical interpretations of the poem were created, the most known of them probably being a version by the Slovene folk rock musician Vlado Kreslin .
Historically the term has often been used interchangeably with the term "sonnet". Various writers have tried to draw distinctions between "true" sonnets and quatorzains. Nowadays the term is seldom used, and when it is, it usually is used to distinguish fourteen-line poems that do not follow the various rules that describe the sonnet. [1]