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The neck got wider. The bowl, which had been made of glued lathes of wood was now made of gourd, with metal frets and a bone nut on the neck. [9] Masid Khan added two more strings to the sitar. [18] The modern seven string sitar was created by Allauddin Khan. [19] Sympathetic strings on sitar were first added by Ustad Imdad Khan. [20]
Such a construction is seen on the sitar, where arched frets attach at the edges of a smooth fingerboard; unfrettable strings run inside the frets, while frettable ones run outside. The fret arches are sufficiently high that the exterior strings can be fretted without the finger making contact with the interior strings.
Vichitra veena and Chitra veena or gottuvadhyam do not have frets. It sounds close to humming human singer. The Vichitra veena is played with a piece of ovoid or round glass, which is used to stop the strings to create delicate musical ornaments and slides during a performance. [32] Sitar is a Persian word meaning three strings. [35]
Setar 1st string tuned to C, 1st fret D koron: 2 D 5.4 60.6 4 Setar 1st string tuned to C, 2nd fret D: 3 E4 flat 7.3 58.7 4 Setar 1st string tuned to C, 3rd fret E flat: 4 E4 koron 10.3 55.7 4 Setar 1st string tuned to C, 4th fret E koron: 5 E4 12.1 53.9 3 Setar 1st string tuned to C, 5th fret E: 6 F4 13.9 52.1 4 Setar 1st string tuned to C ...
This small practice sitar was built from a single piece of wood, about 100 cm long. It had a small resonator, about 20 cm in diameter, carved of the same log. The neck was topped with 16 metal frets set in wax on wooden tracks, and a tuning box with three pegs.
The dilruba and its variant, the esraj, have a similar yet distinct construction style, with each having a medium-sized sitar-like neck with 20 heavy metal frets. This neck carries a long wooden rack of 12–15 sympathetic strings, known as the taraf strings, and 2-3 jawari strings. By the jawari strings, one can give emphasis on the vadi ...
Khan learnt music from his father, Ashiq Ali Khan, who had learned sitar from the 19th century player Barkatullah Khan, a descendant of Masit Sen of Delhi, the inventor of the Masitkhani gat (the major style of slow musical composition in sitar playing) [1] His name became synonymous with the Senia style [2] although he may actually have practised an even more austere style than his ...
The Afghan tanbur is played in the same style as the normal tanbur and sitar, with a wire finger plectrum. The music can be accompanying singing and dancing, or (more rarely) playing classical ghazals. [3] The Afghan tanbur has sympathetic strings. [11]