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The neck got wider. The bowl, which had been made of glued lathes of wood was now made of gourd, with metal frets and a bone nut on the neck. [9] Masid Khan added two more strings to the sitar. [18] The modern seven string sitar was created by Allauddin Khan. [19] Sympathetic strings on sitar were first added by Ustad Imdad Khan. [20]
Such a construction is seen on the sitar, where arched frets attach at the edges of a smooth fingerboard; unfrettable strings run inside the frets, while frettable ones run outside. The fret arches are sufficiently high that the exterior strings can be fretted without the finger making contact with the interior strings.
Vichitra veena and Chitra veena or gottuvadhyam do not have frets. It sounds close to humming human singer. The Vichitra veena is played with a piece of ovoid or round glass, which is used to stop the strings to create delicate musical ornaments and slides during a performance. [32] Sitar is a Persian word meaning three strings. [35]
This small practice sitar was built from a single piece of wood, about 100 cm long. It had a small resonator, about 20 cm in diameter, carved of the same log. The neck was topped with 16 metal frets set in wax on wooden tracks, and a tuning box with three pegs.
On some older zithers, one may find "half-frets" above the 12th fret, which extend only under the first two or three strings. This results in the lower fretted strings having no pitches (or no chromatic pitches) available above the 12th fret, while the higher fretted strings still have higher chromatic pitches available at these half-frets ...
Setar 1st string tuned to C, 17th fret D koron: 18 D5 35.7 30.3 3 or 4 Setar 1st string tuned to C, 18th fret D: 19 E5 flat 36.7 29.3 4 Setar 1st string tuned to C, 19th fret E flat: 20 E5 koron 38.2 27.8 4 Setar 1st string tuned to C, 20th fret E koron: 21 E5 39.1 26.9 3 Setar 1st string tuned to C, 21st fret E: 22 F5 39.9 26.1 3
The veena has a five-octave range. Two plectrums identical to those used for sitar are worn on the middle and index fingers of the right hand to pluck the strings, and a glass ball (batta) is moved with the left across the main strings to create melody (there can be a distance of up to two inches between notes). Coconut oil is put on the ...
It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich texture of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend ( glissandi ), which are important in Indian music.