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A net-poetry event (the online happening "Parallel-Action-Bunker") was featured in the Biennale di Venezia in 2001. It was produced and curated by the digital artist and poet Caterina Davinio in the context of Bunker Poetico, a collaborative installation by the artist Marco Nereo Rotelli which involved 1,000 international poets. [5]
The device was named "Haikubox" because it observes nature, much like haiku poems which capture a moment in time and often focus on nature imagery. Development of Haikubox was supported in large part by National Science Foundation's SBIR (Small Business Innovation Research) funding (Cooperative Agreement No. 2135664).
Haiku (俳句, listen ⓘ) is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern; [1] that include a kireji, or "cutting word"; [2] and a kigo, or seasonal reference.
Digital poetry is a form of electronic literature, displaying a wide range of approaches to poetry, with a prominent and crucial use of computers. Digital poetry can be available in form of CD-ROM, DVD, as installations in art galleries, in certain cases also recorded as digital video or films, as digital holograms, on the World Wide Web or Internet, and as mobile phone apps.
Jim Kacian in Kumamoto, Japan, in mid-September 2007, while reading his haiku for a film in development by Slovenian filmmaker Dimitar Anakiev.. James Michael Kacian (born July 26, 1953) [1] is an American haiku poet, editor, translator, publisher, organizer, filmmaker, public speaker, and theorist.
A haiku in English is an English-language poem written in a form or style inspired by Japanese haiku.Like their Japanese counterpart, haiku in English are typically short poems and often reference the seasons, but the degree to which haiku in English implement specific elements of Japanese haiku, such as the arranging of 17 phonetic units (either syllables or the Japanese on) in a 5–7–5 ...
During the Kojiki and Nihonshoki periods the tanka retained a well defined form, but the history of the mutations of the tanka itself forms an important chapter in haiku history, [7] until the modern revival of tanka began with several poets who began to publish literary magazines, gathering their friends and disciples as contributors.
Senryū (川柳) is a Japanese form of short poetry similar to haiku in construction: three lines with 17 morae (or on, often translated as syllables, but see the article on onji for distinctions). Senryū tend to be about human foibles while haiku tend to be about nature, and senryū are often cynical or darkly humorous while haiku are more ...