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"Wichita Lineman" is a 1968 song written by Jimmy Webb for American country music artist Glen Campbell, [2] who recorded it backed by members of the Wrecking Crew. [3] Widely covered by other artists, it has been called "the first existential country song".
At the 1969 Grammy Awards, Webb accepted awards for "By the Time I Get to Phoenix", "Wichita Lineman", and "MacArthur Park". In 2019 "Wichita Lineman" was added to the National Recording Registry. [12] In 1969, Glen Campbell continued the streak of Webb hits with the gold record "Galveston" and "Where's the Playground Susie".
"Wichita Lineman" "The Moon's a Harsh Mistress" "By the Time I Get to Phoenix" "If These Walls Could Speak" "Didn't We" "Worst That Could Happen" "All I Know" "McArthur Park" Guardian Records 1996: R.E.M. single "Wichita Lineman" (live) Warner Bros. Records: 1997: Carly Simon: Film Noir "Film Noir" Arista Records: 1997 Christine Andreas Love Is ...
The actual Wichita lineman was a real person we know little about. Webb remembered when traveling through the panhandle of Oklahoma and Texas, seeing miles and miles of nothing but telephone poles ...
[88] [nb 6] Campbell enlisted the Wrecking Crew as a backup unit on many of his own solo records during the 1960s, such as on "Gentle on My Mind", and on two songs written by Jimmy Webb, "By the Time I Get to Phoenix" and his single "Wichita Lineman". [90] Leon Russell pictured in 1970, the year he became a solo recording artist
Alfred V. De Lory (January 31, 1930 – February 5, 2012) was an American record producer, arranger, conductor and session musician. [1] He was the producer and arranger of a series of worldwide hits by Glen Campbell in the 1960s, including John Hartford's "Gentle on My Mind", Jimmy Webb's "By the Time I Get to Phoenix", "Wichita Lineman" and "Galveston".
The CD single features a live cover of "Wichita Lineman", a song written by Jimmy Webb and made popular by Glen Campbell. The video for the single was shot in the style of an Italian movie entitled Stanco E Nudo (a translation of the line "tired and naked" in the song).
He commissioned another song from Webb, who soon provided "Wichita Lineman", a "gorgeous, haunting piece of contemporary Americana full of longing, distance, loneliness, and resigned exhaustion." [ 1 ] In 1969, a third addition to the so-called "town songs" cycle, "Galveston", was equally compelling and impressive.