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During the 1970s, the MC-2300 was an expensive piece of audio equipment, with a retail price of $1799 by the time of its discontinuation in 1980. [1] That being said, its outstanding power and sound production quality made it a valued part of many recording studios and although some people prefer the sound of tube amplifiers, the overall greater reliability and freedom from repair of the newer ...
Audio stereo power amplifier made by McIntosh The internal view of a Mission Cyrus One hi-fi integrated audio amplifier (1984) [1]. An audio power amplifier (or power amp) amplifies low-power electronic audio signals, such as the signal from a radio receiver or an electric guitar pickup, to a level that is high enough for driving loudspeakers or headphones.
For most audio applications more power is needed at low frequencies. This requires a high-power amplifier for low frequencies (e.g., 200 watts for 20–200 Hz band), lower power amplifier for the midrange (e.g., 50 watts for 200 to 1000 Hz), and even less the high end (e.g. 5 watts for 1000–20000 Hz).
Carver's U.S. patent 4,218,660, first applied in his model M400 power amplifier, describes a power supply whose input switches on and off at an ultrasonic rate to adapt to the varying power demand of the amplifier. The innovation is in the power supply, not the amplification circuitry, and in the use of switching, not in the use of a coil or coils.
A smaller tube amplifier, the 17.5wpc Stereo 35, was introduced in 1963, and was followed the next year by the SCA 35, the company's first integrated (preamp + power amp) tube amplifier. In 1992, an updated version of the Stereo 70, the Stereo 70 II , was produced by Sound Valves for Panor Corporation.
The company was known for the most powerful audio amplifiers of the era led by the Phase Linear D-500 introduced in 1978. It was a stereo power amplifier delivering 505 watts of clean (typically < 0.1% total harmonic distortion over 20 Hz–20 kHz) RMS power per channel. It had a retail price of $1395. Buyout