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"Towards an Inventory of Philippine Musical Instruments: A Checklist of the Heritage from Twenty-three Ethnolinguistic Groups" (PDF). Asian Studies. Quezon City, Philippines: University of the Philippines Diliman. OCLC 6593501. Archived from the original (PDF) on September 20, 2023; Dioquino, Corazon (October 22, 2009).
This is a list of musical instruments, including percussion, wind, stringed, and electronic instruments. Percussion instruments (idiophones, membranophones, struck chordophones, blown percussion instruments)
This list contains musical instruments of symbolic or cultural importance within a nation, state, ethnicity, tribe or other group of people.. In some cases, national instruments remain in wide use within the nation (such as the Puerto Rican cuatro), but in others, their importance is primarily symbolic (such as the Welsh triple harp).
Musician Thomas Bloch playing the waterphone, 19 September 2009 at the Mittersheim pond, France. A waterphone (also ocean harp) is a type of inharmonic acoustic tuned idiophone consisting of a stainless steel resonator bowl or pan with a cylindrical neck and bronze rods of different lengths and diameters around the rim of the bowl.
The siku is an Andean pan flute This pan flute from the Solomon Islands is made from bamboo bound with reeds and rope. A pan flute (also known as panpipes or syrinx) is a musical instrument based on the principle of the closed tube, consisting of multiple pipes of gradually increasing length (and occasionally girth). [1]
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Pages in category "Philippine musical instruments" The following 36 pages are in this category, out of 36 total. This list may not reflect recent changes. *
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .