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Aristotle's work on aesthetics consists of the Poetics, Politics (Bk VIII), and Rhetoric. [8] The Poetics was lost to the Western world for a long time. The text was restored to the West in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes. [9]
Chapters 1-5 deal with arguments specific to each of the species of rhetoric corresponding to the first book of Aristotle's work. Chapters 6-22 are about "uses" what Aristotle calls "topics", discussing them in the latter part of his second book. Chapters 23-28 discuss style which Aristotle discusses in the first half of his third book.
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He also famously, in book X, condemned poetry as evil, being only capable of creating deceptive and ineffectual copies of real-world corollaries. [25] In his Poetics, Aristotle taxonomized ancient Greek drama [26] (which he called "poetry") into three subcategories: epic, comic, and tragic. Aristotle developed rules to distinguish the highest ...
His study of epic diction, Homer, Hesiod and the Hymns, established by a statistical study of language the relative chronology of the corpus of early Greek epic poetry. Janko published a controversial book Aristotle on Comedy, arguing that a summary of the lost second book of Aristotle's Poetics on comedy and humour survives in a tenth-century ...
Else's magnum opus is titled, Aristotle's Poetics: The Argument. It is a meticulous, comprehensive reading of Aristotle's treatise that was published in 1957. Widely regarded in its time as a central work of literary theory, Else's other important contribution is The Origin and Early Form of Greek Tragedy, which was published in 1965. In this ...
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.