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Pyotr Ilyich Tchaikovsky composed his Orchestral Suite No. 3 in G, Op. 55 in 1884, writing it concurrently with his Concert Fantasia in G, Op. 56, for piano and orchestra. The originally intended opening movement of the suite, Contrastes, instead became the closing movement of the fantasia. Both works were also intended initially as more ...
His jazz-funk arrangement of the Beatles' "Get Back" was used as the longtime theme for the 1970s sports quiz show Sports Challenge, emceed by Dick Enberg. For clarinetist Eddie Daniels, Williams wrote A Concerto in Swing; for saxophonist Tom Scott, he penned Romances for Jazz Soloist and Orchestra.
Jazz Nocturne Concerto in Three Rhythms Symphonic Waltzes Concerto for two pianos Jazz Concerto: Michael Tippett: 1970–72 Symphony No. 3: Mark-Anthony Turnage: 1993–96 1996–2001 Blood on the Floor, for jazz quartet and large ensemble Scorched, for jazz trio and orchestra William Walton: 1922 1925 Façade Portsmouth Point (overture) Kurt ...
In 1871, violinist August Wilhelmj arranged the second movement of Bach's third Orchestral Suite for violin and an accompaniment of strings, piano or organ (harmonium). [1] On the score he wrote auf der G-Saite (on the G string) above the staff for the solo violin, which gave the arrangement its nickname.
The Brandenburg Concerto No. 1, BWV 1046.2 (BWV 1046), [23] is the only one in the collection with four movements. The concerto also exists in an alternative version, Sinfonia BWV 1046.1 (formerly BWV 1046a), [24] which appears to have been composed during Bach's years at Weimar.
Concerto for woodwinds, harp, and orchestra (1949) Anna Jalkéus. Concerto for jazz voice, harp and orchestra "The Rise of Estrogenia" (2017) [49] Lowell Liebermann. Concerto for Flute, Harp and Orchestra, Op.48 (1995) Frank Martin. Petite symphonie concertante for harp, harpsichord, piano and double string orchestra, op.54 (1944) Fabio Mengozzi
Gordon Percival Septimus Jacob CBE (5 July 1895 – 8 June 1984) was an English composer and teacher. He was a professor at the Royal College of Music in London from 1924 until his retirement in 1966, and published four books and many articles about music.
Included in this group were: Aaron Copland (Concerto for Piano, 1926), Maurice Ravel (Concerto for the Left Hand, 1929), Igor Stravinsky (Ebony Concerto for clarinet and jazz band, 1945) and George Gershwin (Concerto in F, 1925). [32] Still others called upon the orchestra itself to function as the primary virtuosic force within the concerto form.