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Original file (555 × 703 pixels, file size: 133 KB, MIME type: image/jpeg) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
Miss Baker awaits launch. Jupiter AM-18 stands ready for its 2:39 am launch at Cape Canaveral launch complex 26B.. Miss Baker wore a helmet lined with rubber and chamois leather plus a jacket for launch, in addition to a respiration meter affixed to her nose with model cement, and she was fitted into a snug capsule of shoebox size, 9¾ × 12½ × 6¾ inches (24.8 × 31.8 × 17.1 cm) insulated ...
Keith Hunter Jesperson (born April 6, 1955) is a Canadian-American serial killer who murdered at least eight women in the United States during the early 1990s. He was known as the Happy Face Killer because he drew smiley faces on his many letters to the media and authorities.
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Happy families is a traditional British card game usually with a specially made set of picture cards, featuring illustrations of fictional families of four, most often based on occupation types. The object of the game is to collect complete families, and the game is similar to Go Fish and Quartets .
2006-12-01 09:35 Dekumus 200×300×8 (30763 bytes) this is a photograph of the eminent architect Laurie Baker, from my collection of images worked on by me. 2004-06-09 02:28 Reubenbarton 719×545×8 (79249 bytes) Monkey Baker that rode in a Jupiter IRBM
Baker was born 16 June 1786. She was the sister of George Baker, the historian of Northamptonshire, and to her his great work owes its geology and botany.Miss Baker was the companion of her brother's journeys, as a literary and artistic assistant, and his fellow-labourer, especially in the natural history, and she made drawings and even engraved some of the plates for his great work.
Miss Baker's collection is called 'Chiefly Cornish' having been done during a year's visit to Cornwall, England. The 35 pictures are filled with the high quality and the charm of her work. Her pen often reveals her lively wit as well as her originality and her imagination". Edith Weigle, art critic for the Chicago Tribune, 19 November 1961.