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The discography of New Found Glory, an American rock band. Consists of twelve studio albums , 34 singles , three extended plays (EPs), four cover albums , one live album , and two greatest hits compilation albums .
New Found Glory is the second studio album and major label debut by the American rock band of the same name. It was produced and mixed by Neal Avron and released on September 26, 2000, through Drive-Thru and MCA Records .
In 2016, Gilbert ranked Sticks and Stones as his fourth favorite New Found Glory album. [17] Cleveland.com ranked "My Friends Over You" at number 12 on their list of the top 100 pop-punk songs. [50] Alternative Press ranked "My Friends Over You" at number 32 on their list of the best 100 singles from the 2000s. [51]
The origins of New Found Glory date back to 1997 when Jordan Pundik (vocals) and Ian Grushka (bass) played together in the bands Inner City Kids and Flip 60. After disbanding Flip 60, they recruited Stephen Klein (guitar), who Pundik met at Marjory Stoneman Douglas High School and had previously played with him in the band Fallview.
In 2016, Gilbert ranked Catalyst as his second-to-least favorite New Found Glory album. Looking back, he said it "doesn’t really make any sense … Catalyst is all over the place [musically]." [51] The group performed the album in its entirety on a tour in 2017 to celebrate the 20th anniversary since they formed. [52]
It should only contain pages that are New Found Glory albums or lists of New Found Glory albums, as well as subcategories containing those things (themselves set categories). Topics about New Found Glory albums in general should be placed in relevant topic categories .
On the tour, the group performed material from their 1999–2009 albums, [9] as well as "Happy Being Miserable". Gilbert said tour would be "making people aware" of their new album and that for their "future tours we will jam more" songs from the album. [10] On April 14, "Party on Apocalypse" was made available for streaming. [11]
New Found Glory strove to achieve a "clean kind of classic guitar sound" when recording, using a Vox AC30 amp on almost the entire record. [21] The amp, known for its "jangly" high-end sound, was used with several classic guitars in the studio including a Fender Tele, Les Paul, Gibson 335-S and a Rickenbacker. [21] Gilbert enthused that, "It ...