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"Cherokee" (also known as "Cherokee (Indian Love Song)") is a jazz standard written by the British composer and band leader Ray Noble and published in 1938. It is the first of five movements in Noble's "Indian Suite" (Cherokee, Comanche War Dance, Iroquois, Seminole, and Sioux Sue). [ 1 ]
The B-side is an instrumental called "Zenstation". There is also a DVD release of "Freelove", a first for Depeche Mode. There is also a DVD release of "Freelove", a first for Depeche Mode. It contains video footage of "Freelove" from the Philadelphia concert in 2001, audio of other songs performed at the concert, and four bonus 30-second videos ...
Originally recorded by Carmichael as a mid-tempo jazz instrumental, the 1930 romantic ballad rendition by Isham Jones and His Orchestra became a top-selling hit. Louis Armstrong recorded an influential ballad rendition in 1931. The song is arguably the most recorded popular song, and one of the top jazz standards.
Pages in category "Grammy Award for Best Jazz Instrumental Album" The following 56 pages are in this category, out of 56 total. This list may not reflect recent changes .
The song was composed by Bert Kaempfert with lyrics by Milt Gabler, and produced by Lee Gillette. The trumpet solo was performed by Bobby Bryant . [ 2 ] [ 3 ] The song had previously appeared as an instrumental track on Kaempfert's album Blue Midnight (1964).
"Love for Sale" is a song by Cole Porter introduced by Kathryn Crawford in the musical The New Yorkers, which opened on Broadway on December 8, 1930, and closed in May 1931 after 168 performances. [1]
Can't Help Falling In Love (Instrumental Love Songs), Vol. 1 is the debut studio album by Canadian husband-and-wife instrumental pop duo SaxAndViolin. [1] [2] The album, featuring Eli Bennett on tenor saxophone and Rosemary Siemens on violin, included songs that inspired the couple's love story and was released worldwide on February 14, 2020, through SaxAndViolin Records.
Some of Stephen Foster's songs exemplify this genre. By the 1920s, composers of Tin Pan Alley and Broadway used ballad to signify a slow, sentimental tune or love song, often written in a fairly standardized form. Jazz musicians sometimes broaden the term still further to embrace all slow-tempo pieces. [21]