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Jean-Antoine Watteau (UK: / ˈ w ɒ t oʊ /, US: / w ɒ ˈ t oʊ /, [2] [3] French: [ʒɑ̃ ɑ̃twan vato]; baptised 10 October 1684 – died 18 July 1721) [4] was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens.
The following is a very incomplete list of notable works in the collections of the Musée du Louvre in Paris. For a list of works based on 5,500 paintings catalogued in the Joconde database, see the Catalog of paintings in the Louvre Museum.
Completed during 1720–21, [1] it is considered to be the last prominent work of Watteau, who died some time after. It was painted as a shop sign for the marchand-mercier, or art dealer, Edme François Gersaint. [2] According to Daniel Roche the sign functioned more as an advertisement for the artist than the dealer. [3]
The Catalog of paintings in the Louvre Museum lists the painters of the collection of the Louvre Museum as they are catalogued in the Joconde database. The collection contains roughly 5,500 paintings by 1,400 artists born before 1900, and over 500 named artists are French by birth.
The Embarkation for Cythera ("L'embarquement pour Cythère") is a painting by the French painter Jean-Antoine Watteau. It is also known as Voyage to Cythera and Pilgrimage to the Isle of Cythera. [1] Watteau submitted this work to the Royal Academy of Painting and Sculpture as his reception piece in 1717. [2] The painting is now in the Louvre ...
Saint Sebastian Tended by Saint Irene (Georges de La Tour, Louvre) Saying Grace (Chardin) Scene from a Deluge; The See-Saw (Fragonard, Louvre) Self-Portrait (Chassériau) Self-Portrait (David) The Soul Breaking the Links Holding it to the Earth; Souvenir de Mortefontaine; The Storm (Fragonard) Study (Young Male Nude Seated Beside the Sea)
The French painter Lucien Lévy-Dhurmer painted an invented View of Watteau's Studio in 1890, in which the Jupiter and Antiope features as one of the paintings on the walls. Another painting in which the painting appears as part of the composition is the Salle La Caze painted by Édouard Vuillard in 1922.
Pierrot, also retrospectively known as Gilles, is an oil on canvas painting of c. 1718-1719 by the French Rococo artist Jean-Antoine Watteau (1684–1721). Completed in the later phase of Watteau's career, Pierrot measures 184.5 by 149.5 cm, which makes up somewhat unusual case in the artist's body of work.