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The following is a comprehensive discography of Sparks, an American rock and pop music band formed in Los Angeles in 1970 by brothers Ron (keyboards) and Russell Mael (vocals), initially under the name Halfnelson.
Ken Sparks (February 25, 1944 – March 29, 2017) was an American football coach and player. He served as the head football coach at Carson–Newman University in Jefferson City, Tennessee from 1980 until his retirement at the end of the 2016 season.
A Steady Drip, Drip, Drip is the 24th studio album by American rock group Sparks.Recorded in gaps between Sparks' film projects, the album uses a full rock-group format to draw on the band's full range of musical styles and was universally acclaimed by critics, who praised both its lyrical and melodic content.
Angst in My Pants is the eleventh studio album by American pop and rock band Sparks.The album was released in 1982 by Atlantic Records in both the US and UK, and this was the sixth overall label that the band was signed to in the US, and, for the first time since the mid-1970s, the band would be signed to the same label in both the US and UK for three consecutive studio albums.
The second single; "This Town Ain't Big Enough for Both of Us" did better, and was buoyed by the presence of Faith No More, it peaked at #40 (and remains Sparks last UK top 40 single to date) in December 1997.
Big Beat was reissued by Island in 1994 and remastered in 2006. The first issue by the Island Masters subsidiary added "Tearing The Place Apart" and Russell Mael's "Gone with the Wind", both of which were recorded during the sessions for the Indiscreet album but went unreleased until "The Best of Sparks" compilation LP in 1978.
It should only contain pages that are Sparks (band) albums or lists of Sparks (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Sparks (band) albums in general should be placed in relevant topic categories .
Music That You Can Dance To was the band's most dance music inspired album since 1979's No. 1 in Heaven.The overall sound of the album was dominated by synthesizers and sequencers like the 1979 studio album but it differed from that release by the inclusion of the heavily distorted bass guitar of Leslie Bohem, and the emphasis on discordant sound effects. [4] "