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Sunburst Finish is the third studio album by English rock band Be-Bop Deluxe, released in February 1976. [2] It was recorded in Abbey Road Studios, London. [3]The album contains what would become one of their few forays into chart success; the February 1976 single "Ships in the Night", which reached number 23 in the UK Singles Chart.
Introducing Be-Bop Deluxe (2004) and Nelson's 40-year career retrospective, eight CD set, The Practice Of Everyday Life (2011). Despite Be-Bop Deluxe's commercial success, Bill Nelson stated that he had never received royalties for the earlier CD release of his back catalog on EMI [15] until the 2011 CD reissue/remaster of his back catalogue. [16]
"For Free? (Interlude)" is a song by American rapper Kendrick Lamar. It is the second track on his third studio album To Pimp a Butterfly, released on March 15, 2015. [1] It features uptempo bebop instrumentals, with Lamar rapping over them. A music video for the song was uploaded to Vevo and YouTube on July 31, 2015.
A 1993 video, Things to Come, included the eight on-screen performances by Gillespie and the band from Jivin' in Be-Bop, together with some numbers from another Alexander-produced musical, Rhythm in a Riff, which featured Billy Eckstine. [10] [11] Jivin' in Be-Bop was released on DVD in 2004. The between-song banter between Carter and Gillespie ...
Paul Avron Jeffreys (13 February 1952 – 21 December 1988) was an English rock musician. He played bass guitar in Cockney Rebel between 1972 and 1974, working on the group's first two albums, and later worked with a number of British bands, including Be-Bop Deluxe (1974), [ 1 ] Warm Jets (1977–1980) and Electric Eels (1980–1981).
At first glance, Bebop and Bebe, a TikTok page with more than two million followers, looks like a typical, albeit somewhat idiosyncratic, family account. The page features videos of Bebop, a girl ...
Jeffrey Gaines is an American singer-songwriter and guitarist. Born in Harrisburg, Pennsylvania , he was signed to the Chrysalis Records label in 1990 and released his debut album, Jeffrey Gaines , in 1992.
Recording the album was a simpler process than any Be-Bop Deluxe record due to the prevalence of synthesizers, which Nelson felt were "much richer, tonally, than you realise," and only used overdubs to emphasise a specific sound, typically guitars. He elaborated: "With a synthesizer you press a switch and a sound is the direct result.