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Most of Frédéric Chopin's polonaises were written for solo piano. He wrote his first polonaise in 1817, when he was 7; his last was the Polonaise-Fantaisie of 1846, three years before his death. Among the best known polonaises are the "Military" Polonaise in A, Op. 40, No. 1, and the "Heroic" Polonaise in A ♭, Op. 53.
Op. 20, Scherzo No. 1 in B minor (1831–33) Op. 21, Concerto for Piano and Orchestra No. 2 in F minor (1829–1830) Op. 22, Andante spianato et grande polonaise brillante in E ♭ major (the polonaise section orchestrated 1830-31; piano solo 1834) Op. 23, Ballade No. 1 in G minor (1831–1835) Op. 24, 4 Mazurkas (1834–1835) Mazurka in G minor
Polonaise in A-flat major: 1821 1908 4 Polonaise in G-sharp minor: 1824 1864 5 Variations in D major for 4 hands 1824–1826 1965 6 Variations in E major 1824 1851 7 Mazurka in B-flat major 1826 1851 8 Mazurka in G major 1826 1851 9 Funeral march in C minor 72 No. 2 1826 1855 10 Polonaise in B-flat minor: 1826 1881 11 Polonaise in D minor: 71 ...
Solo piano introduction to the Grande Polonaise Andantino: G minor * B. 117 An arrangement for piano alone of the piano part of the song Wiosna; * 5 MS exist whose dates range from April 1838 to 1 September 1848 Barcarolle: F‑sharp major 1846 1846 Op. 60 B. 158 Berceuse: D-flat major 1844 1845 Op. 57 B. 154 Bolero: C major-A minor 1833 1834 ...
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes.
The Polonaises Op. posth[umous] include Frédéric Chopin's polonaises that were not given opus numbers. This page does not consider the three posthumous polonaises Op. 71, which Chopin's assistant Julian Fontana published with the family approval. On the other hand, it includes the early G minor polonaise (KK IIa No. 1) that was published in ...
Four Songs from Seventeen Polish Songs (transcribed by Liszt), Op. posth. 74; Piano Sonata No. 3 in B minor, Op. 58; Scherzo No. 4 in E major, Op. 54; Mazurka No. 14 in G minor, Op. 24 No. 1; Andante spianato et grande polonaise brillante in E flat major, Op. 22; Nocturne in F sharp major, Op. 15 No. 2; Waltz in C sharp minor, Op. 64 No. 2
Polonaise in C minor, Op. 40, No. 2 performed by Luis Sarro. The second polonaise's main theme, a contrast to the majestic and joyful one in the first, features an even rhythm of quaver chords in the right hand starting with C minor, and a mournful melody played in octaves by the left, with occasional lines played by the right hand.