Ads
related to: chopin polonaise in flat minor op 11 no 1
Search results
Results From The WOW.Com Content Network
Most of Frédéric Chopin's polonaises were written for solo piano. He wrote his first polonaise in 1817, when he was 7; his last was the Polonaise-Fantaisie of 1846, three years before his death. Among the best known polonaises are the "Military" Polonaise in A, Op. 40, No. 1, and the "Heroic" Polonaise in A ♭, Op. 53.
The Piano Concerto No. 1 in E minor, Op. 11, is a piano concerto written by Frédéric Chopin in 1830, when he was twenty years old. It was first performed on 12 October of that year, at the Teatr Narodowy (the National Theatre) in Warsaw, Poland, with the composer as soloist, during one of his "farewell" concerts before leaving Poland.
The Polonaises Op. posth[umous] include Frédéric Chopin's polonaises that were not given opus numbers. This page does not consider the three posthumous polonaises Op. 71, which Chopin's assistant Julian Fontana published with the family approval. On the other hand, it includes the early G minor polonaise (KK IIa No. 1) that was published in ...
Polonaise in G minor 1817 1947 3 Polonaise in A-flat major: 1821 1908 4 Polonaise in G-sharp minor: 1824 1864 5 Variations in D major for 4 hands 1824–1826 1965 6 Variations in E major 1824 1851 7 Mazurka in B-flat major 1826 1851 8 Mazurka in G major 1826 1851 9 Funeral march in C minor 72 No. 2 1826 1855 10 Polonaise in B-flat minor: 1826 ...
Op. 20, Scherzo No. 1 in B minor (1831–33) Op. 21, Concerto for Piano and Orchestra No. 2 in F minor (1829–1830) Op. 22, Andante spianato et grande polonaise brillante in E ♭ major (the polonaise section orchestrated 1830-31; piano solo 1834) Op. 23, Ballade No. 1 in G minor (1831–1835) Op. 24, 4 Mazurkas (1834–1835) Mazurka in G minor
C-minor, B-flat minor and F minor KK. Vd/1-3 Lost; perhaps includes the Marche funèbre in C minor, Op. posth. 72/2 and the Andante Dolente in B-flat minor Marches "early" KK. Vf Lost Mazurka B-flat minor KK. Anh. Ib Doubtful Mazurka KK. Ve/8 Mentioned in 1878 correspondence between Breitkopf & Hartel and Izabela Barczinska Mazurka KK. Ve/6
His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarolle in F ♯ major, Op. 60 have cemented a solid place within the piano repertoire, as have his shorter works: the polonaises, mazurkas, waltzes, impromptus and nocturnes.
Polonaise in C minor, Op. 40, No. 2 performed by Luis Sarro. The second polonaise's main theme, a contrast to the majestic and joyful one in the first, features an even rhythm of quaver chords in the right hand starting with C minor, and a mournful melody played in octaves by the left, with occasional lines played by the right hand.