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Di Bawah Lindungan Ka'bah (Under the Protection of Ka'bah) is the 1938 debut novel of the Indonesian author Haji Abdul Malik Karim Amrullah (1908–1981). Written while the author worked in Medan as the editor of an Islamic weekly magazine, the novel follows the doomed romance of a young Minang couple from different social backgrounds.
(Indonesian: Ada Apa dengan Cinta? ) is a 2002 Indonesian coming-of-age romantic drama film directed by Rudy Soedjarwo , starring Dian Sastrowardoyo and Nicholas Saputra . [ 1 ] [ 2 ] It was the most-watched Indonesian movie of all time at the time of its release, peaking at 2.7 million sold tickets.
Palace of the Masks detail. 2002 photo Map of the Kabah Maya archeological zone. The most famous structure at Kabah is the "Palace of the Masks", the façade decorated with hundreds of stone masks of the long-nosed rain god Chaac; it is also known as the Codz Poop, meaning "Rolled Matting", from the pattern of the stone mosaics. [1]
Di Bawah Lindungan Ka'bah is the second film adaptation of Hamka's novel Di Bawah Lindungan Ka'bah, following an adaptation in 1977 by Asrul Sani. [2] Unlike the original novel, which included numerous flashbacks, the plot is chronological.
Anwar first read "Aku" at the Jakarta Cultural Centre in July 1943. [1] It was then printed in Pemandangan under the title "Semangat" ("Spirit"); according to Indonesian literary documentarian HB Jassin, this was to avoid censorship and to better promote the nascent independence movement. [2] "Aku" has gone on to become Anwar's most celebrated ...
The tradition of covering the Kaaba predates the emergence of Islam, with various Yemeni textiles composing the draping. [3] According to Ibn Hisham, King Tubba Abu Karib As'ad of the Himyarite Kingdom, who would later become a revered figure in Islamic traditions, clothed Kaaba for the first time during the rule of the Jurhum tribe of Mecca in the early fifth century CE after learning about ...
Indonesian slang vernacular (Indonesian: bahasa gaul, Betawi: basa gaul), or Jakarta colloquial speech (Indonesian: bahasa informal, bahasa sehari-hari) is a term that subsumes various urban vernacular and non-standard styles of expression used throughout Indonesia that are not necessarily mutually intelligible.
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