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His coat with a waist seam and skirts cutaway in a smooth curve is worn with matching trousers and collared waistcoat, 1882. George Etiene Cartier wears a dark frock coat, a decorative double-breasted waistcoat, and a narrow bow tie. Montreal, after 1882. Lawmen of Dodge City wear their coats with only the high top button fastened.
Both frock coats and sack coats became shorter. Flat straw boaters were worn when boating. During the 1880s , formal evening dress remained a dark tail coat and trousers with a dark waistcoat, a white bow tie, and a shirt with a winged collar.
Date/Time Thumbnail Dimensions User Comment; current: 17:29, 11 January 2006: 651 × 844 (113 KB): Churchh: 1859 fashion plate from the "Gazette of Fashion", showing both male and female daywear, with sea bathing scene in the background (including bathing machines).
Standing woman in a white dress with leg o'mutton sleeves. By René Schützenberger, 1895.. Fashionable women's clothing styles shed some of the extravagances of previous decades (so that skirts were neither crinolined as in the 1850s, nor protrudingly bustled in back as in the late 1860s and mid-1880s, nor tight as in the late 1870s), but corseting continued unmitigated, or even slightly ...
His coat and shawl-collared vest or waistcoat have covered buttons. Note functional buttonholes all the way up his coat lapel. Three-piece suit with frock coat, 1870s. Oliver Hazard Perry Morton wears a narrow string tie, 1870s. Gentleman in a railway carriage wears a dust-colored coat, trousers, and collar-less waistcoat with a dark red ...
1859 fashion plate of both men's and women's daywear, with seabathing in background. He wears the new leisure fashion, the sack coat.. 1850s fashion in Western and Western-influenced clothing is characterized by an increase in the width of women's skirts supported by crinolines or hoops, the mass production of sewing machines, and the beginnings of dress reform.
The sack-back gown or robe à la française was a women's fashion of 18th century Europe. [1] At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. By the 1770s the sack-back gown was second only to court ...
Portrait of John C. Calhoun in a sheer white formal cravat, dark coat, and fur-collared or lined overcoat, 1834. Portrait of Hans Christian Andersen shows the depth and breadth of fashionable coat collars, 1836. A gentleman of the Wilkes Family, 1838–40, wears a dark cravat. His tall coat collar is notched and spreads onto his shoulders.