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"Hello" is a song by British group the Beloved, released as the second [note 1] single from their debut album, Happiness (1990). Peaking at Number 19 in the UK charts on 17 February 1990, [ 1 ] it was band's highest-charting single until " Sweet Harmony " reached number eight in 1993.
This was followed in February 1990 by their first studio album, Happiness, the first and only album Marsh and Waddington released as a duo, [1] and the first consisting wholly of previously unreleased new songs, from which the hit single "Hello" was also released. "Hello" became The Beloved's first international hit, and reached number 19 in ...
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It should only contain pages that are The Beloved (band) songs or lists of The Beloved (band) songs, as well as subcategories containing those things (themselves set categories). Topics about The Beloved (band) songs in general should be placed in relevant topic categories .
[27] Despite the rap and house music that inspired the Beloved, Robert Christgau of The Village Voice felt parts of the album resembled acts like the Human League, New Order and Heaven 17, but noted "against all odds, [the Beloved are] fun, even happy." He felt the album's rejection of "idiot pessimism" in favour of "hopeful optimism" was an ...
Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende ...
Shape notes are a system of music notation designed to facilitate choral singing. Shape notes of various kinds have been used for over two centuries in a variety of sacred choral music traditions practiced primarily in the Southern region of the United States. "Shape-note singers used tune books rather than hymnals. Hymnals were pocket-size ...
Jon O'Brien from AllMusic described the song as "anthemic", "Italo house-inspired" and a valiant attempt "at a more experimental sound". [2] Ross Jones from The Guardian commented, "The Beloved here spray us with the very essence of New Age techno friskiness. You may think you've heard it before, but the Beloved songs are like massages in more ...