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Telugu is more inflected than other literary Dravidian languages. Telugu nouns are inflected for number (singular, plural), gender (masculine and non-masculine) and grammatical case (nominative, accusative, instrumental, dative, ablative, genitive, locative and vocative). [2] There is a rich system of derivational morphology in Telugu.
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Aspiration contrasts are less common, but relatively well-established in the phonologies of the higher or more formal registers, as well as in the standard orthographies, of the "literary" languages (other than Tamil): Telugu, Kannada, and Malayalam. However, in colloquial or non-standard speech, aspiration often appears inconsistently or not ...
Andhra Mahabharatham (ఆంధ్ర మహాభారతం) is the Telugu version of Mahabharatha written by the Kavitrayam (Trinity of poets), consisting of Nannayya, Thikkana and Yerrapragada (also known as Errana).The three poets translated the Mahabharata from Sanskrit into Telugu over the period of the 11–14th centuries CE, and became the idols for all the following poets. [1]
In a dialect continuum, neighboring varieties are mutually intelligible, but differences mount with distance, so that more widely separated varieties may not be mutually intelligible. Intelligibility can be partial, as is the case with Azerbaijani and Turkish , or significant, as is the case with Bulgarian and Macedonian .
The Telugu script has generally regular conjuncts, with trailing consonants taking a subjoined form, often losing the talakattu (the v-shaped headstroke). The following table shows all two-consonant conjuncts and one three-consonant conjunct, but individual conjuncts may differ between fonts.
Satavahanas introduced the Brahmi to present-day Telugu and Kannada-speaking regions. [4] [5] [6] But according to Georg Bühler, it seems more likely that the Bhattiprolu script represents a provincial offshoot of early Brahmi in the south, rather than a separate line of development from a hypothetical Semitic prototype itself, as Bühler ...
Endaro Mahanubhavulu was composed by Tyagaraja after an encounter with Govinda Marar, a highly skilled musician from Travancore (modern-day Kerala, India).One of Govinda's greatest musical feats was that he could effortlessly sing a pallavi in six kalas.