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"Charlotte Sometimes" is a song by English rock band the Cure, recorded at producer Mike Hedges' Playground Studios and released as a non-album single on 9 October 1981 by Polydor Records, following the band's third studio album Faith. The titles and lyrics to both sides were based on the book Charlotte Sometimes by Penelope Farmer.
Charlotte Sometimes, a 1969 children's book by Penelope Farmer "Charlotte Sometimes" (song), a 1981 song by The Cure, based on the book; Charlotte Sometimes, a 2002 independent film by Eric Byler, not related to the novel but title taken from the song; Charlotte Sometimes (musician), from 2008 to 2014 stage name of singer-songwriter Jessica ...
Like F-sharp major, G-flat major is rarely chosen as the main key for orchestral works. It is more often used as a main key for piano works, such as the impromptus of Chopin and Schubert . It is the predominant key of Maurice Ravel 's Introduction and Allegro for harp, flute, clarinet and string quartet , and is also used in the second movement ...
It should only contain pages that are Charlotte Sometimes (musician) albums or lists of Charlotte Sometimes (musician) albums, as well as subcategories containing those things (themselves set categories). Topics about Charlotte Sometimes (musician) albums in general should be placed in relevant topic categories
In the Classical period, symphonies in G minor almost always used four horns, two in G and two in B ♭ alto. [2] Another convention of G minor symphonies observed in Mozart's No. 25 and Mozart's No. 40 was the choice of E-flat major , the subdominant of the relative major B ♭ , for the slow movement, with other examples including Joseph ...
Max Bruch's Concerto for Two Pianos in A-flat minor has its last movement in A-flat major, which is the parallel major; this concerto plays with the contrast between the two keys. Scott Joplin's Maple Leaf Rag is also written in A-flat major (the trio part of the composition is written in D-flat major). Other compositions in A-flat major include:
They also excluded C#/D♭ major, D#/E♭ minor, F#/G♭ major, G#/A♭ minor, and A#/B♭ minor. Bach modelled the sequence of his 48 Preludes on Fischer's example. [3] In 1735, between Bach's two sets, Johann Christian Schickhardt wrote his L'alphabet de la musique, Op. 30, which contained 24 sonatas for flute, violin, or recorder in all keys ...
The major/minor compositions in the following lists do not necessarily end with a minor chord; a final passage in minor ending with a sonority that fails to re-establish the major mode (for example, an open octave or fifth) is sufficient. Works falling into the following categories are excluded: