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Nihonga (Japanese: 日本画) is a Japanese style of painting that uses mineral pigments, and occasionally ink, together with other organic pigments on silk or paper. The term was coined during the Meiji period (1868–1912) to differentiate it from its counterpart, known as Yōga (洋画) or Western-style painting.
Gyotaku (魚拓, from gyo "fish" + taku "stone impression", fish print(ing)) is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing , where ink is applied to a fish which is then pressed onto paper, was used by fishermen to record their catches, but has also become an art ...
Japanese Modern Art Painting From 1910 . Edition Stemmle. ISBN 3-908161-85-1; Watson, William, The Great Japan Exhibition: Art of the Edo Period 1600-1868, 1981, Royal Academy of Arts/Weidenfeld & Nicolson; Momoyama, Japanese art in the age of grandeur. New York: The Metropolitan Museum of Art. 1975. ISBN 978-0-87099-125-7. Murase, Miyeko (2000).
La parisienne japonaise is an oil on canvas painting by Belgian painter Alfred Stevens. It depicts a young woman in a blue kimono standing in front of a mirror. The painting testifies to Stevens' involvement with Japonisme. Stevens was one of the earliest collectors of Japanese art in Paris. [1]
Potter and a key figure in mingei (Japanese folk art) and studio pottery movements Yasuo Kuniyoshi: 1893–1953 Migrated to New York from Japan in 1906. Well known for his paintings related to Social Realism: Kanpū Ōmata: 1894–1947 Painter and waka poet Haruko Hasegawa: 1895–1967 Painter, illustrator, writer; she specialized in war painting
Ise katagami (伊勢型紙) is the Japanese craft of making paper stencils for dyeing textiles (katagami (型紙)). It is designated one of the Important Intangible Cultural Properties of Japan. The art is traditionally centered on the city of Suzuka in Mie Prefecture. It is different from ise washi, though both are made in Mie Prefecture.
The most important function of Nihon Bijutsuin is the organization and promotion of the inten (院展) biennial fine arts exhibitions. The Spring Exhibition is held in early April, for two weeks at the Mitsukoshi Department Store in Tokyo, followed by a tour around Japan for four months, at ten different locations.
Lake Shore (湖畔), by Kuroda Seiki (1897) Reminiscence of the Tempyō Era (天平の面影), by Fujishima Takeji (1902). Yōga (洋画, literally "Western-style painting") is a style of artistic painting in Japan, typically of Japanese subjects, themes, or landscapes, but using Western (European) artistic conventions, techniques, and materials.