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And I am sure as many as have good beards, or good faces, or sweet breaths will, for my kind offer, when I make curtsy, bid me farewell." [17] Epilogues were more frequently delivered by actors. [18] As the epilogue would frame the end of the play it would allow the speaker to both simultaneously perform and reflect on the character.
A Samuel Johnson quotation serves as an epigraph in Hunter S. Thompson's novel Fear and Loathing in Las Vegas: "He who makes a beast of himself gets rid of the pain of being a man." Stephen King uses many epigraphs in his writing, usually to mark the beginning of another section in a novel.
The Epilogue being transmitted from Broadcasting House in 1935. The Epilogue was a feature of radio and later television, and was the last programme broadcast each Sunday evening lasting five to ten minutes. [1] It was a non-denominational talk on a reflective theme usually delivered by a Christian minister or priest in a straight to-camera format.
Acknowledgment – Expression of gratitude for assistance in creating a work; All persons fictitious disclaimer – Statement that the persons portrayed in a work of media are not based on real people
Christian theology posits that in the arc of history, the beginning was a golden age. The middle is the age in which we now live, and is characterised by 'decadence', where what was good has declined and is in need of 'renovation'. In order to usher in a new age, a process of painful purging (or 'terrors') needs to be undergone.
The most watched series finale in U.S. television history remains the 1983 finale of the CBS war/medical dramedy M*A*S*H, titled "Goodbye, Farewell and Amen".Viewed by 105.9 million viewers and drawing 77% of those watching televisions at the time, the finale of M*A*S*H held the record for most watched telecast of all-time for decades until 2010's Super Bowl XLIV edged it out with 106 million ...
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After John Grady's death, a short epilogue—not unlike the conclusion of Blood Meridian (1985)—details, in a few pages, the next several decades of Billy's life. After drifting across the Southwest for many years, working ranches and living in hotels, Billy, homeless, takes shelter beneath a highway underpass.