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Da Capo al Coda (often abbreviated as D.C. al Coda): Repeat from beginning to an indicated place and then play the tail part (the "Coda"). It directs the musician to go back and repeat the music from the beginning ("Capo"), and to continue playing until one reaches the first coda symbol. Upon reaching the first coda symbol, skip to the second ...
D.S. al coda instructs the musician to go back to the sign, and when Al coda or To coda is reached jump to the coda symbol. D.S. al fine instructs the musician to go back to the sign, and end the piece at the measure marked fine. The Italian term 'dal segno' literally means 'from the sign.'
Coda sign Indicates a forward jump in the music to its coda (ending passage), which is marked with the same sign. Only used after playing through a D.S. al coda (Dal segno al coda) or D.C. al coda (Da capo al coda). Fine Marks the end of a composition or movement, usually following a repeat command such as D.C. al fine or D.S. Direct symbol
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A coda in these genres is sometimes referred to as an "outro", while in jazz, modern church music and barbershop arranging it is commonly called a "tag". One of the most famous codas is found in the 1968 single "Hey Jude" by the Beatles. The coda lasted nearly four minutes, making the song's full length at just over the seven-minute mark.
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Repeat to the sign and continue to the coda sign, then play coda dal segno al fine (D.S. al fine) From the sign to the end (i.e. return to a place in the music designated by the sign and continue to the end of the piece) dal segno segno alla coda (D.S.S. alla coda) Same as D.S. alla coda, but with a double segno dal segno segno al fine (D.S.S ...