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Antonio Vivaldi wrote a set of flute concertos, Op. 10, [a] that were published c. 1728 by Amsterdam publisher Michel-Charles Le Cène. [1] Flute Concerto No. 1 "La Tempesta di Mare" in F major, RV 433 Allegro; Largo; Presto; Flute Concerto No. 2 "La Notte" in G minor, RV 439 (see also RV 104, composed in the 1710s with chamber accompaniment) Largo
A flute concerto is a concerto for solo flute and instrumental ensemble, customarily the orchestra. Such works have been written from the Baroque period, when the solo concerto form was first developed, up through the present day.
It was originally written for flute and piano, but Chaminade later arranged it for flute and orchestra. The piece remains a standard and popular part of the flute repertoire. [1] For example, it was voted #85 in a 2012 survey of the best French classical music by the Australian radio station ABC Classic FM. It also remains one of Chaminade's ...
La tempesta di mare ("The Storm at Sea"), a flute concerto in F major (RV 433; P. 261), is the first of Six Flute Concertos, Op. 10 by Antonio Vivaldi, published in the late 1720s. La tempesta di mare may also refer to two earlier versions of the same concerto, RV 98, a concerto da camera (chamber concerto) featuring the flute, from which ...
Sonata in A minor (1763) J.S. Bach: Partita in A minor for solo flute (c. 1718) Luciano Berio: Sequenza I (1958) Ludwig van Beethoven. Allegro and Minuet for two flutes (1792) [1] Claude Debussy: Syrinx (1913) Arthur Honegger: Danse de la chèvre (1921) Felix Mendelssohn: The Shepherd’s Song in G minor for solo flute, R 24; Robert Muczynski:
The 11-minute Allegro moderato first movement varies between D minor, E-flat minor and F major. Solo passages, dialogues between solo flute and orchestra, and a clarinet and bassoon conversation characterize the music. After an unexpected bass trombone disruption, the flute comes to the fore with a cantabile theme in E major. An orchestral ...
Template:Did you know nominations/Sonata in A minor for Solo Flute Metadata This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
The work features a highly florid flute section, a rather uncommon phenomenon at the time as the flute was both a new instrument in France and seen as more so a background instrument in late-19th century orchestration. Thus, the fact that it plays a leading role makes this concerto a rarity and one of the early examples of the flute gaining a ...